Or, maybe she doesn’t solve the challenge, but that teaches her and helps her grow, and better prepares her for the next challenge. The story explores/reports how she finds, learns, or unearths the resources within herself (as well as external sources as needed) to solve the challenge in some way. But because of the rising action, the next one is harder, and stretches her more. It didn’t stretch the protagonist too much. So, the original small challenge only required small skills and determination to solve. In other words, every story is integrally about the character’s growth, and the plot is actually only a device to both cause, and illustrate, that growth. It could be argued that the purpose of every story is to show the protagonist’s journey from incompetence to competence, from ignorance to knowledge, from fear to courage and so on, depending on the theme of the story. No, they didn’t, they’re discovered in the attempt. Will they successfully steal the jewel from the castle? Will they successfully gain entrance to the castle? This means that there’s lots going on for the reader – lots of questions being raised, and lots of reward for her in the form of some of the questions answered. For sure, you’re always building towards the final – story climax, but each scene will also have its own mini-climax. In your plot, therefore, you’re moving always towards a climax. Tolstoy was among the greatest novelists in any language in all of history.Rising action means that the challenges faced by your protagonist begin by being fairly easy to overcome, but as the story progresses, those challenges escalate and become more dramatic, and more difficult and taxing for her.Do you think that “plots have only three types of conflicts:.Do you think that there are only two plots in all of literature:.“All great literature is one of two stories a man goes on a journey or a stranger comes to town.”.Tie a Yellow Ribbon – Tony Orlando and Dawn.How is your world, the reader’s world different?.
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